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In the world of luxury interior design, Andrea Benedettini stands out for his exceptional ability to blend classical architectural elements with modern, clean-lined furnishings. His approach to design is both refined and innovative, creating interiors that feel both timeless and fresh. With a deep respect for craftsmanship, Benedettini’s work is defined by an understated elegance that reflects the personality of the client while honouring the character of the space itself.

We sat down with Andrea to discuss his design philosophy, the guiding principles behind his work, and how he’s adapting to today’s evolving industry. From his latest projects to his commitment to sustainability, Benedettini offers a unique perspective on creating interiors that are as personal as they are beautiful.

Q: How would you describe your studio’s aesthetic?

Transitional classic and contemporary with Tuscan influences. Our approach emphasizes modern craftsmanship and clean-lined silhouettes, enriched with sophisticated textures to create timeless, elegant interiors.

Q: If there was such a thing as a spirit interior, real or imagined, what would yours be?

Anything by Axel Verdvoot 

Q: What is the studio working on at the moment?

We are working on a townhouse in Hyde Park, a Georgian family home in Dulwich, a house in Wimbledon, a house in Hampstead and a villa in the South of France. 

Q: Thinking of the Andrea Benedettini formula for a successful design, are there pieces or elements that are always incorporated into your projects? What are they?

I often say that my design process follows three guiding principles: first, what is best for the project; second, my client’s vision and desires; and finally, my own preferences and ideas.

The project itself dictates the balance between classical and contemporary elements. For example, when working on a Grade I or Grade II listed building, preserving and enhancing the architectural features is essential. 

To create a harmonious balance, I add a layer of fitted furniture (what we call joinery) that combines classical detailing with touches of contemporary design. This approach serves as a bridge between the classical backdrop of the interior architecture and the more modern furnishings and decorative lighting. I believe this method achieves a balanced, calm, and timeless composition.

That said, while we often take this approach, each project is unique and highly client-driven. We start by researching the project, studying the architectural style of the house and the surrounding buildings. From there, we spend a significant amount of time with our clients to develop a comprehensive brief. A strong brief or concept is crucial; without it, the project lacks depth and meaning.

I have a deep appreciation for classical architecture, so I always try to incorporate embellishments like cornices, mouldings, and panelling. At the same time, I prefer clean lines when it comes to furniture; I avoid fussy, complicated pieces as I find them exhausting. Instead, I add personality through unique vessels, accessories, and artwork. I have a particular fondness for bowls—you’ll often find a Japanese or Korean bowl in my projects.

Q: What is your design philosophy?

Q: How is your approach to design changing in today’s industry?

Awareness towards sustainability. 

For instance, in our studio, we are mindful when ordering samples. Instead of requesting multiple swatches, we order just one of each. This minimizes waste and ensures that unused samples don’t end up in the bin. Additionally, every few months, we do a thorough library clear-out and set aside any samples we no longer need. Instead of discarding them, we offer them to design students, giving these materials a second life in their projects.

When it comes to our projects, we’ve started working more with existing pieces—whether that’s reupholstering a client’s furniture or sourcing vintage pieces from antique shops. Not only is this a sustainable approach, but it also brings a unique, layered character to our designs. These elements make spaces feel more lived-in and authentic, rather than overly polished or brand-new.

Another important practice we’ve adopted is prioritizing fabrics made from natural fibers—at least 70% or more. Personally, I love the texture and feel of natural materials, and I tend to avoid polyester or synthetic yarns. Not only do natural fabrics enhance the tactile quality of a space, but they also align with our commitment to sustainability.

By merging classical architecture with modern design principles, Benedettini creates spaces that are as unique as they are enduring. His studio’s ability to balance traditional beauty with contemporary innovation ensures that each project feels both personal and elegant.

As the industry continues to evolve, Andrea Benedettini’s focus on sustainable practices—from reusing furniture to using natural materials—reflects a growing awareness of the environmental impact of interior design. These efforts, paired with his talent for curating spaces that resonate with clients on a personal level, ensure that his work remains both relevant and forward-thinking.

Whether working on a Georgian townhouse in London or a villa in the South of France, Benedettini continues to set the standard for luxury interior design—an approach rooted in craftsmanship, sustainability, and, above all, a deep respect for both the space and the people who inhabit it.